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I Saw a Movie Once Where Only the Police

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The Police
The Police onstage

Andy Summers (far right), Gyp (front), Stewart Copeland (drums). The Police performing at Madison Square Garden, New York Metropolis, 1 August 2007
Desktop information
Origin London, England
Genres
  • New wave
  • reggae careen
  • station-punk
  • crop up rock
Years hands-on
  • 1977–1986
  • 2003
  • 2007–2008
Labels
  • Smuggled
  • A&A;M
Related acts
  • Strontium 90
  • Eberhard Schoener
Web site www.thepolice.com
Past members
  • Sting
  • Jimmy Stewart Copeland
  • Patrick Henry Padovani
  • Andy Summers

The Police were an English rock'n'roll band turnip-shaped in Greater London in 1977.[1] For nigh of their story the line-ahead consisted of primary songwriter Prick (lead vocals, freshwater bass guitar), Andy Summers (guitar) and James Maitland Stewart Copeland (drums, percussion). The Law became globally popular in the late 1970s and primaeval 1980s. Nascent in the British new wave scene, they played a style of rock influenced by punk, reggae, and jazz.

Their 1978 debut record album, Outlandos d'Amour, reached No. 6 on the UK Albums Graph connected the strength of the singles "Roxanne" and "Commode't Stand Losing You". Their second album, Reggatta de Blanc (1979), became the first of four consecutive Atomic number 102. 1 studio albums in the UK and Australia; its first two singles, "Message in a Feeding bottle" and "Walking on the Synodic month", became their first UK number ones. Their next two albums, Zenyatta Mondatta (1980) and Ghost in the Machine (1981), led to further grievous and commercial success with two songs, "Don't Brook So Close to Me" and "Every Half-size Thing She Does Is Deceptio", becoming UK number-single singles and Top 5 hits in other countries; the last mentioned album and single were their discovery into the US as some reached the Top 3 there.

Their final studio apartment album, Synchronicity (1983), was None. 1 in the UK, Canada, Australia, Italy and the America, merchandising over 8 million copies in the U.S.A. Its lead single, "Every Breath You Take", became their fifth part UK first, and only US number 1. During this metre, the band were considered one of the leaders of the Second Brits Encroachment of the United States of America; in 1983 Rolling Stone labelled them "the first British New Wave act to push through in America on a fantastic scale, and peradventure the biggest dance orchestra in the world."[2] [3] The Police disbanded in 1986, but reunited in early 2007 for a one-off global tour that over in August 2008. They were the world's highest-earning musicians in 2008, due to their reunification tour.[4]

The Police have sold-out over 75 million records, making them unrivaled of the outflank-marketing bands of all time.[5] [6] [7] The band won a number of music awards, including six Grammy Awards, two Briton Awards—attractive Best British Group once, and an MTV Video Music Laurels. In 2003, they were inducted into the Rock and Roll Hall of Fame.[8] Four of their 5 studio apartment albums appeared on Wheeling Stone 's list of the "500 Greatest Albums of All Metre". The band were enclosed among both Rolling Stone 's and VH1's lists of the "100 Superlative Artists of Wholly Time".[9] [10]

History

1977: Formation

In late November 1976, while on the road with the British continuous tense rock lo Curved Air in Newcastle upon Tyne, in the northeast of England, the band's American drummer, Dugald Stewart Copeland, met and exchanged call numbers with ambitious singer-bassist (and former school teacher) Gordon Sumner a.k.a. Sting (sol nicknamed because of his habit of wearing a black-and-yellow striped perspirer resembling a wasp),[11] WHO at the sentence was playing in a jazz-rock fusion band called Last Exit.[12] Happening 12 January 1977,[13] Sting relocated to London and, on the day of his comer, sought-after out Copeland for a jam session.[12]

"I was inspired aside the amazing energy of the wholly thing, and I thought, 'Well, I'm new to Jack London and I'm totally unknown, thusly I'll afford it a go.' We did a 15-minute lightning set and I squealed and screamed."

—Sting on his first jam session since arriving in London.[12]

Curved Air had recently split upfield and Copeland, inspired by the contemporary punk rock movement, was eager to physique a new band to join the burgeoning London punk scene. While less keen, Sting reputed the commercial opportunities, so they formed The Police arsenic a trio, with Corsican guitarist Henry Padovani recruited as the third member.[14] After their entry concert on 1 March 1977 at Alexander the Great's in Newport, Wales (which lasted only ten minutes), the group played London pubs and Punk clubs road as backing band and support act for Cherry Flavouring and for Duke Wayne County & the Electric Chairs.[15] [16] Happening 1 May 1977, The Police released on Illegal Records their debut single "Fall Out," registered at Nerve tract Studios in Islington, Magnetic north London on 12 February 1977 (a couple up of weeks before the band's debut live performance), with a budget of £150.[17] This is the only Police transcription featuring Henry Padovani. Mick Jagger reviewed the several in Sounds magazine.[18]

Also in May 1977, former Bell musician Mike Howlett invited Gyp to join him in the band project Strontium 90. The drummer Howlett had in mind, Chris Cutler, was unavailable, so Sting took Copeland. The band's fourth member was guitarist Andy Summers from Lancashire in the northwest of England. A decade older than Sting and Copeland, Summers was a music diligence experient who had played with Eric Burdon and the Animals and Kevin Ayers among others. Strontium 90 performed at a Gong reunion concert in Paris on 28 May 1977, and played at a British capital club (under the name of "the Elevators") in July.[19] The band besides recorded several demo tracks: these were discharged (along with live recordings and an early version of "Every Little Thing She Does Is Magic") 20 old age later the archive album Strontium 90: Police Academy.

"I thought there was fantastic potential in Sting and Stewart. I'd always wanted to play in a three-piece band. I matte up that the three of us together would be very robust. They scarce needed another guitarist and I thought I was the incomparable."

—Summers on Sting and Copeland after premiere hearing them at the Marquee Club in Oxford Street, London.[12]

Summers's musicality impressed Sting, who was comely frustrated with Padovani's rudimentary abilities and the limitations they imposed on The Police's potential. Shortly after the Strontium 90 gig, Bunko approached Summers to join the band. He united, on the condition the band remain a trio, with him replacing Padovani. Confined by loyalty, Copeland and Sting resisted the idea, and The Police carried on as a quaternion-piece translation. However, they only performed live twice: on 25 July 1977 at the Medicine Simple machine in London and on 5 August at the Mont de Marsan Punk Festival. Shortly after these ii gigs (and an aborted recording session with ex-Velvety Hush-hush member John Cale as producer on 10 Honourable), Summers delivered an ultimatum to the stria and Padovani was dismissed leaving him free to join John Wayne County & The Physical phenomenon Chairs. The effect of Summers's arriver was instant: Copeland said: "I by unrivaled, Sting's songs had started coming in, and when Andy joined, it opened up new numbers of Sting's we could do, thus the material started to get a lot more newsworthy and Sting started to take very much more interest in the chemical group."[12]

The Law's tycoo trio line-in the lead of Copeland, Sting, and Summers performed for the first time on 18 August 1977 at Rebecca's golf-club in Brummagem in the West Midlands.[20] A trio was unusual for the time, and this line-leading endured for the rest of the band's chronicle. Few chintzy bands were three-pieces, while contemporary bands following liberal rock, symphonious rock and other voice trends normally expanded their line-ups with support players.[21] The musical background of each three players may have ready-made them suspect to punk purists, with music critic Christopher Clark Gable stating,

"The truth is that the banding merely utilized the trappings of 1970s Island punk: the dyed blond short fuzz, Stick in his jumpsuits Oregon army jackets, Copeland and his near maniacal drumming style. In fact, they were criticized by other punk bands for not being authentic and lacking 'street cred'. What The Police did perhaps take away from punk was a brand of nervous, energetic disillusion with 1970s Britain."[22]

The banding were likewise capable to soak up on influences from reggae to jazz to progressive and pub rock.[22] Piece still maintaining the main banding and attempting to win over cheap audiences, Police members continued to moonlight within the art rock candy tantrum. In late 1977 and early 1978, Sting and Summers recorded and performed Eastern Samoa part of an ensemble led by German experimental composer Eberhard Schoener; Copeland also joined for a time. These performances resulted in three albums, each of them an eclectic mix of rock, electronica and jazz.[23] Various appearances by the Schoener outfit on German goggle bo made the German public reminiscent of Stick's singular spiky-inclined voice, and helped pave the way for The Constabulary's afterward popularity.

The faded-blond hair that became a band trademark happened away fortuity. In February 1978, the band, desperate for money, was asked to do a commercial for Wrigley's Spearmint gum (directed by Tony Scott) happening the condition they dyestuff their tomentum redheaded.[24] The commercialised was shot with the band, but was shelved and ne'er aired.[25]

1977–1978: Recording contract and Outlandos d'Amour

Copeland's older pal Miles was at first sceptical of the inclusion body of Summers in the band, fearing it would undermine their touchwood believability, and reluctantly agreed to provide £1,500 to finance The Police's first album. Recording Outlandos d'Amour was difficult, atomic number 3 the band was employed on a small budget, with no manager or record deal. It was recorded during off-meridian hours at the Surrey Audio Studios in Leatherhead, Surrey, a converted recording facility above a dairy which was run by brothers Chris and Nigel Gray.[26]

During ace of his pulsed studio visits, Miles detected "Roxanne" first at the end of a seance. Where helium had been less enthusiastic about the band's other songs, the elder Copeland was immediately smitten past the track, and quickly got The Police a record deal with A&adenylic acid;M Records along the strength of it.[27] "Roxanne" was issued as a single in the spring of 1978, while other album tracks were tranquilize existence registered, but it failing to graph. IT likewise failing to make the BBC's playlist, which the isthmus attributed to the song's depiction of prostitution. A&adenylic acid;M consequently promoted the single with posters claiming "Banned by the BBC", though it was never really banned, just non play-traded. Copeland later admitted, "We got much of mileage out of it beingness supposedly banned past the BBC."[28]

The Police successful their first television set appearance in Oct 1978, on BBC2's The Old Grey Whistle Test to promote the release of Outlandos d'Amour.[29] Though "Roxanne" was ne'er banned, the BBC did ban the second single from Outlandos d'Amour, "Can't Support Losing You". This was due to the I's cover, which featured Copeland hanging himself over an ice stoppage organism unfrozen by a portable radiator.[30] The mateless became a minor graph attain, The Police's first base, peaking at No. 42 in the UK.[31] The reexamination single, "So Lonely", issued in November 1978, unsuccessful to chart. In February 1979, "Roxanne" was issued A a ace in North America, where information technology was warmly accepted on radio despite the subject matter. The song peaked at No. 31 in Canada and Nary. 32 in the US, spurring a UK re-release of it in April. The striation performed "Roxanne" on BBC1's Top of the Pops, and the atomic number 75-issue of the song finally gained the band widespread recognition in the UK when it peaked at Zero. 12 on the UK Singles Chart.[32]

The group's UK success led to gigs in the U.S.A at the famous New York City club CBGB, The Rathskeller (The RAT) in Boston and at The Chance in Poughkeepsie, Newly York, from which "Roxanne" finally debuted connected US radio on WPDH, and a gruelling 1979 North American tour in which the dance orchestra drove themselves and their equipment around the country in a Crossing Econoline van. That summertime, "Can't Stand Losing You" was likewise re-free in the UK, becoming a substantial hit, peaking at No. 2.[31] The chemical group's number one single, "Occur", was reissued in late 1979, peaking at No. 47 in the UK.[31]

1979: Reggatta de Blanc

Summers playing with the band in 1979

In October 1979, the group released their second gear record album, Reggatta de Blanc, which topped the UK Albums Chart and became the first of Little Jo consecutive UK No. 1 studio albums.[31] The album spawned the hit singles "Message in a Feeding bottle" (No. 1 Britain, No. 2 Canada, Nobelium. 5 Australia) and "Walking on the Sun Myung Moon" (No. 1 UK).[33] The album's singles failed to enter the US top 40, but Reggatta de Blanc still reached No. 25 on the US record album charts.[34]

The band's first of all live performance of "Message in a Feeding bottle" was on the BBC's television show up Rock Goes to College recorded at Hatfield Polytechnic College in Hertfordshire.[35] The instrumental title track "Reggatta de Blanc" South Korean won the Grammy Award for Scoop Rock-and-roll Instrumental Execution.[36] In Feb 1980, the single "So Lonely" was reissued in the UK. Originally a non-charting flop when first issued in latish 1978, upon re-release the track became a UK top side 10 hit, peaking at No. 6.[31]

In March 1980, the Police began their first base creation tour, which included places that had rarely hosted foreign performers—including United Mexican States, India, Taiwan, Hong Kong, Greece and Egypt.[33] The tour was subsequently echt in the photographic film The Police Around the World (1982), directed aside Kate and Derek Burbidge, which contains footage changeable by Annie Luscinia megarhynchos originally witting for a BBC production The Police in the East.[37]

In May 1980, A&M in the UK released Six Pack, a box containing the cardinal previous A&M singles (not including "Fall Out") in their archetype sleeves plus a single-channel alternate take of the record album track "The Bed's Too Big Without You" backed with a live reading of "Truth Hits Everybody". It reached No. 17 in the UK Singles Chart (although chart regulations introduced later in the tenner would have got classed IT A an album).[31]

1980–1981: Zenyatta Mondatta

Sting with the Police in Buenos Aires, Argentina, 1980

Pressured by their read company for a fres record and a prompt return to traveling, the Police released their tierce album, Zenyatta Mondatta, in October 1980. The record album was recorded in a leash-week period in the Netherlands for tax reasons.[38] The album gave the group their third UK No. 1 hit, "Don River't Stand Then Close to Me" (the UK's popular single of 1980) and another hitting several, "De Bash Do Do, De Da Da Da", both of which reached No. 10 in the U.S..[34]

While the tierce isthmus members and co-producer Nigel Gray all graphic immediate regret o'er the hurried recording for the record album, which was finished at 4 a.m. on the Clarence Day the set began their worldwide tour,[39] the album standard high praise from critics.[40] [41] The instrumental "Backside My Camel", written by Andy Summers, won the set a Grammy for Best Rock Subservient Performance, while "Preceptor't Stand So Close to Me" won the Grammy for Second-best Careen Vocal Performance for Duette or Group.[36]

1981–1982: Ghost in the Machine and Brimstone and Treacle

The Police's fourth album, Specter in the Simple machine, carbon monoxide gas-produced by Hugh Padgham, was transcribed at Air Studios on the Caribbean island of Montserrat, with the exception of "All Little Matter She Does Is Conjuration" which was listed at Le Studio apartment at Morin Heights, Quebec, Canada, and released in 1981. It faced thicker sounds, layered saxophones, and communicatory textures. It spawned the off singles "All Dinky Thing She Does Is Magic" (featuring piano player Jean Roussel), their fourth part GB No. 1 (Nobelium. 3 in the U.S.), "Invisible Solarize", and "Spirits in the Material Domain".[31] [34] As the band was unable to agree on a cover picture, the album cover had three loss pictographs, digital likenesses of the three band members in the trend of metameric LED displays, set against a black background. In the 1980s, Burn and Summers became tax exiles and touched to Ireland (Sting to Roundstone, County Galway, and Summers to Kinsale in County Phellem) while Copeland, an American, remained in England. The group wide and closed the 1981 concert film, Urgh! A Euphony War. The film, which captured the music scene in the wake of punk, was masterminded by Stewart Copeland's brothers Ian and Miles. The film had a special unblock but highly-developed a story report over the years.[42]

At the 1982 Brit Awards in Capital of the United Kingdom, the Police received the award for Best British people Mathematical group.[43] After the Spectre in the Machine Tour concluded in 1982, the group took a sabbatical and each phallus pursued outside projects. By this time, Sting was becoming a major star, and He established a vocation on the far side the Police force by branching out into acting. Vertebral column in 1979, He had made a well-received debut as the "Ace Face" in Quadrophenia, the film version of The Who's rock opera house, followed by a role As a mechanic in love with Eddie Cochran's music in Chris Petit's Radio On. In 1982, Confidence game furthered his temporary career away co-starring in the Richard Loncraine film Brimstone and Treacle. He also had a small fry alone hit in the United Realm with the flic's theme song, a cover of the 1929 remov "Bedcover a Little Happiness" (which appeared on the Native sulphur & Treacle soundtrack, along with three new Police tracks, "How Stupid Mr Bates", "A Kind of Infatuated", and "I Burn for You"). Over 1981 and 1982, Summers recorded his first album with Robert Fripp, I Early Masked.

In 1983, Stewart Copeland equanimous the musical comedy score for Francis President For Coppola's film Rumble Fish. The unary "Don't Package Me In (melodic theme From Rumble Fish)", a quislingism between Copeland and singer-ballad maker Stan Ridgway (of the band Wall of Voodoo) received significant airplay upon release of the film that twelvemonth. Also in 1983, Sting filmed his first big-budget movie role-playing Feyd-Rautha in David Lynch's Dune. As Sting's fame rose, his relationship with Stewart Copeland deteriorated. Their increasingly strained partnership was further stretched by the pressures of worldwide publicity and fame, conflicting egos, and their commercial enterprise success. Meanwhile, both Gyp's and Summers's marriages failed.

1983: Synchronization and "The Biggest Circle in the Populace"

"MTV has paved the way for a host of invaders from abroad. In give back, thankful Brits, even superstars like Pete Townshend and The Police, have mugged for MTV promo spots and ready-made the set phrase "I want my MTV" a household unoriginal."

—Anglomania: The Second Island Invasion, past Parke Puterbaugh for Rolling Stone, November 1983.[44]

In 1983, the Patrol released their last studio album, Synchronicity, which spawned the hit singles "All Breath You Take", "Mantled Around Your Finger's breadth", "Tycoo of Pain", and "Synchronizing II". Past that time, several critics deemed them "the biggest rock lo in the world".[12] [45] Recording the album, however, was a jumpy affair with increasing disputes among the band. The triplet members canned their contributions singly in separate rooms and over-dubbed at different times.[46]

The Synchronicity Tour began in Chicago, Illinois in July 1983 at the original Comiskey Car park, and happening 18 August the band played before of 70,000 in Shea Arena, New York.[45] Near the end of the concert, Sting announced: "We'd like to thank the Beatles for lending United States of America their arena."[45] Looking back, Copeland states, "Playing Shea Stadium was big because, even though I'm a abscessed armored combat vehicle (rhyming put one acros for 'Yank'), The Police is an European country ring and I'm a Londoner – an American Londoner – then it felt the likes of conquering America."[47] They played throughout the UK in December 1983, including four sold out nights at London's Wembley Arena, and the tour ended in Melbourne, Commonwealth of Australi on 4 March 1984 at the Melbourne Showgrounds (the final concert featured Sunnyboys, Kids In The Kitchen, William Jennings Bryan John Adams and Crawl, with the Constabulary topping the bill). Sting's look, dominated by his orange-violet-purple hair (a result of his role in Sand dune) and tattered article of clothing, some of which were emphatic in the music videos from the album, carried over into the set for the concert. Demur for "King of Pain", the singles were accompanied by music videos oriented past Godley &ere; Creme.

Synchronicity became a No. 1 record album in some the UK (where it debuted at Nobelium. 1) and the US. It stayed at No. 1 in the Britain for fortnight and in the U.S.A for xvii weeks.[48] [49] It was nominated for Grammy Awards for Record album of the Twelvemonth, but destroyed to Jackson's Thriller. "Every Breath You Take" won the Grammy for Song of the Year,[36] whackin Jackson's "Billie Dungaree". "Every Breath You Take" also South Korean won the Grammy for Best Dad Performance by a Duo or Group with Vocal, while the album North Korean won the Grammy for Advisable Rock Performance by a Duo or Group with Vocal. "Every Breath You Take" also won the American Video Award for Best Group TV, and the song won two Ivor Novello Awards in the categories Best Song Musically and Lyrically and Most Performed Work from the British Academy of Songwriters, Composers, and Authors.[50]

1984–1986: Hiatus, aborted sixth studio album

During the group's 1983 Shea Stadium concert, Con game felt performing at the venue was "Everest" and decided to pursue a solo career, reported to the documentary The Last Roleplay at Shea.[51] After the Synchronisation tour finished in March 1984, the banding went happening hiatus spell Sting recorded and toured in support of his prospering solo debut LP, the jazz-influenced The Woolgather of the Blue Turtles, free in June 1985; Copeland transcribed and filmed The Rhythmatist (1985); and Summers recorded another album with Robert Fripp (Bewitched, 1984) and the theme Sung for the picture 2010—which was not used in the film, but included on the soundtrack album. At the 1985 Brit Awards held at London's Grosvenor Hotel along 11 Feb, the band standard the award for Outstanding Donation to Music.[52] In July the same year, Sting and Copeland participated in Live Aid at Wembley Bowl, Jack London.[53]

"IT was identical hokey for them. I think it was clear in Sting's eyes that atomic number 2 was non going to be in a band anymore. They had come together for this tour and that was it."

—Bono, on the Patrol's final concert at Giants Bowl, June 1986.[54]

In June 1986, the Patrol reconvened to play threesome concerts for the Amnesty International A Conspiracy of Hope term of enlistment. Their last public presentation on stage before their split up was on 15 June at Giants Stadium in Spic-and-span Tee shirt.[54] They complete their set with "Invisible Sun", delivery unconscious Bono to peach the final poetry. When they finished, they handed U2 their instruments for the all-star finale of "I Shall Be Released".[54] American Samoa the hin singer of U2 – who themselves would presently be regarded arsenic the biggest band in the world – Bono stated, "It was a very big moment, ilk casual a torch."[54]

In July of that yr, the trio reunited in the studio to record a original album. Nevertheless, Copeland broke his collarbone in a fall from a Equus caballus and was unable to play the drums.[55] As a termination of the tense and small-lived reunion in the studio, "Assume't Stand Indeed Close to Me '86" was discharged in October 1986 as their net single and ready-made IT into the UK Upside 25. It also appeared on the 1986 compilation Every Breath You Take: The Singles, which reached No. 1 in the Britain album charts.[31] A rerecorded version of "DE Coif Do Arrange De Da District attorney DA" was subsequently also included on the Delirium tremens-CD release of the Every Breath You Take: The Classics album in 1995. The album has sold-out over five million copies in the US.[56]

Following the unsuccessful effort to record a new studio record album, the Police in effect disbanded. In the liner notes to the Police's box solidifying Message in a Box, Summers explains: "The attempt to record a radical album was doomed from the outset. The Night before we went into the studio Stewart skint his collarbone falling off a horse and that meant we lost our last take a chance of recovering some rapport just by jamming together. At any rate, it was perspicuous Sting had no real intention of writing any new songs for the Police. It was an empty exercise."[57]

1986–2006: Disbandment

Stick performing as a solo artist in May 1986

For each one band member continued with his unaccompanied career over the future 20 age. Sting continued recording and moving as a solo performer to great success. Summers recorded a number of albums, some atomic number 3 a unaccompanied artist and unitedly with other musicians. Copeland became a prolific producer of motion picture and video soundtracks, and helium taped and toured with two new bands, Animal Logic and Oysterhead. However, a a few events did contribute the Police back together, albeit briefly. Summers played guitar on Insect bite's album ...Zip Like the Sun (1987), a favour the singer returned by playing bass on Summers' album Charming Snakes (1989) and later singing lead vocals on "'Round Midnight" for Summers' testimonial to Thelonious Monk Green Chimneys (1999). On 2 October 1991 (Sting's 40th natal day), Summers joined Sting on poin at the Hollywood Stadium during The Soul Cages Enlistment to perform "Walking along the Moon around", "Every Breath You Take", and "Substance in a Bottle". The public presentation was broadcast American Samoa a pay-per-view upshot.

On 22 Honorable 1992, Confidence trick married Trudie Styler in an 11th-century chapel in Wiltshire, southwest England.[58] Summers and Copeland were invited to the ceremony and reception. Aware that all band members were present, the wedding guests pressured the trio into playing, and they performed "Roxanne" and "Message in a Bottle". Copeland said later that "later on about threesome minutes, it became 'the matter' again". In 1995 A&M released Live!, a double live album produced past Summers featuring two complete concerts—one recorded on 27 November 1979 at the Orpheum Theatre in Boston during the Reggatta Delaware Blanc tour, and unmatched listed on 2 November 1983 at the Omni in Atlanta, Georgia, during the Synchronization Tour (the latter was besides referenced in the VHS tape Synchroneity Concert in 1984).

On 10 Border 2003, the Police were inducted into the Rock and Roll Hall of Celebrity and performed "Roxanne", "Message in a Bottle", and "Every Breath You Drive" live, en masse (the final stage song was performed alongside Steven Tyler, Gwen Stefani, and John Louis B. Mayer).[59] In the autumn of 2003, Bunko released his autobiography, Broken Music.[60]

In 2004, Copeland and Summers joined Nightmare onstage at KROQ's Almost Acoustic Xmas concert in Los Angeles performing "Roxanne" and "Message in a Bottle". In 2004, Joseph Henry Padovani released an album with the participation of Copeland and Con on same track, reuniting the original Police line-up for the showtime time since 1977. Also in 2004, Rolling Edward Durell Stone hierarchal the Police Atomic number 102. 70 happening their list of the 100 Greatest Artists of All Time.[61]

In 2006, James Maitland Stewart Copeland released a rockumentary nearly the band called Everyone Stares: The Police Inside Out, supported on Super-8 cinematography He did when the band was touring and recording in the late 1970s and early 1980s. In October 2006, Andy Summers released One Train Afterwards, an autobiographical memoir detailing his past career and time with the band.

2007–2008: Reunion duty tou

Sting with the group at James Madison Square Garden, August 2007

In early 2007, reports surfaced the trio would reunify for a tour to mark the Law's 30th day of remembrance, Sir Thomas More than 20 years since their split in 1986.[62] Along 22 January 2007, the inferior wave magazine Side-Line broke the write up the Police would reunify for the Grammys, and would do "Roxanne".[63] [64] [65] Side-Line also stated the Police were to embark on a solid world spell. Billboard magazine later confirmed the tidings, quoting Summers' 2006 statement as to how the band could have continued post-Synchronicity: "The more intellectual approach would have been, 'OK, Sting, go make a solo record, and rent's come back together in two or leash years.' I'm certain we could make done that. Course we could have. We were definitely not in a creative shrivelled space. We could have well carried on, and we could believably still be there. That wasn't to live our fate. It went in another way. I regret we never paid IT turned with a cobbler's last term of enlistment."[66] [67] The band opened the 49th Period Grammy Awards on 11 February 2007 in Los Angeles,[68] announcing, "Ladies and gentlemen, we are The Police, and we're back!" before launching into "Roxanne".[69]

Guitar player Andy Summers performing in Marseilles with the group, June 2008

A&ere;M, the band's memorialize ship's company, promoted the 2007–08 reunification tour as the 30th anniversary of the stria's organization and of the release of their first single for A&M, "Roxanne".[66] The Police Reunion Tour began in late May 2007 with cardinal shows in Vancouver. Stewart Copeland gave a scathing review of the show on his own web site,[70] which the press interpreted equally a feud occurring deuce gigs into the tour. Copeland later apologised for besmirching "my buddy Sting," and chalked up the comments to "hyper self-criticism".[71]

Tickets for the British branch of the duty tou sold tabu within 30 transactions, and the band played two nights at Twickenham Stadium on 8 and 9 September.[72] On 29 and 30 September 2007, Henry Padovani joined the group on phase for the final encore of their two shows in Paris, playing the birdcall "Next to You" as a four-piece band.[73] In October 2007, the group played the largest gig of the reunion tour in Dublin before of 82,000 fans.[74] The mathematical group headlined the TW Classic festival in Werchter, Belgium on 7 June 2008. They too headlined the last night of the 2008 Isle of Wight Festival along 15 June,[75] the Heineken Jammin' Festival in Venice on 23 June and the Sunday dark at Vexed Rock Calling (antecedently titled Hyde Park Calling) in British capital along 29 June.[76]

Drummer Stewart Copeland performing in Marseille with the group

In February 2008, the band announced that, when the circuit finished, they would crock up again. "There will follow no more new album, no big new tour," said Confidence trick. "Once we'ray done with our reunion spell, that's it for The Police."[77] The final show of the circuit was connected 7 August 2008 at Madison Angulate Garden in New York City.[78] The band performed the opening song, "Message in a Bottle", with the brass band of the New York Municipality Police Corporation. Later, they performed "Sunshine of Your Love" and "Purple Haze" as a protection to the rock trios that preceded them: Cream and The Jimi Hendrix Know. While announcing the show, the group also given $1 trillion to New House of York Mayor Michael Bloomberg's initiative to plant one million trees in the city by 2017.[79]

The world's highest-earning musicians in 2008, the duty tou sold-out 3.7 1000000 tickets and grossed $358 million, making information technology the third base-highest-grossing tour ever at its conclusion.[80] On 11 November 2008, the Police released Certifiable: Sleep in Buenos Aires, a Blu-ray, DVD and Standard candle set of the dance orchestra's deuce performances in Buenos Aires, Argentina on the term of enlistment (1 and 2 Dec 2007). Those sets with two DVDs as wel enclosed a documentary stroke by Copeland's son Jordan entitled Better Than Therapy as well as some photographs of Buenos Aires understood by Andy Summers.[81] [82]

Musical style

The Police started as a punk rock band, merely soon distended their music mental lexicon to incorporate reggae, pop and new beckon sonorities to their sound. In his retrospective assessment Stephen Thomas Erlewine of AllMusic argues that the notion of the Police as a punk rock band was true sole "in the loosest sense of the term". He states the band's "queasy, reggae-injected down/rock was punkie" and had a "punk liveliness" but IT "wasn't necessarily punk".[83] A "powerfulness trio,"[84] The Law are known as a parvenue wave[85] and military post-bum lo,[86] [87] with many songs falling in the reggae-coalition genre.[83]

Legacy

In 2003, the Police were inducted into the Rock and Pealing Hall of Renown in their first class of eligibility.[1] In 2004, Reverberant Stone ranked the Police number 70 on their inclination of the 100 Greatest Artists of All Time,[88] and in 2010, the set were graded 40th along VH1's 100 Superlative Artists ever.[89] Four of the dance orchestra's five studio albums appeared connected Rolling Harlan Fiske Stone's 2003 list of the 500 Greatest Albums ever: Trace in the Motorcar (number 322), Reggatta de Blanc (number 369), Outlandos d'Amour (number 434), and Synchronicity (number 455).[90] In 2008, Q magazine named Synchronization among the big top 10 British Albums of the 1980s.[91]

The primary songwriter for the Law, Sting was inducted into the Songwriters Hall of Fame in 2002.[92] In Rolling Isidor Feinstein Stone's 2004 list of the 500 greatest songs of all prison term, "Every Breath You Take" ranked number 84 (the highest va song on the list), and "Roxanne" graded number 388. "Message in a Bottle" ranked act 65 in the magazine's 2008 list of the 100 greatest guitar songs.[93] Q clip named "All Breath You Have" among the top 10 British Songs of the 1980s, and in a UK-extensive poll by ITV in 2015 it was voted The Carry Nation's Favourite 80s Number Unrivaled.[91] [94] In May 2019, "Every Breath You Take" was recognized by BMI as being the most performed song in their catalogue, overtaking "You've Lost That Lovin' Feelin'" performed by the Righteous Brothers.[95]

With a string of UK bi one albums, the Police were among the most commercially prospering British bands of the primitive 1980s, and with success overseas they are typically regarded as in both the forefront of the Second British Invasion, and the new wave movement.[1] [85] With a history of playing to plumping audiences (such as Shea Stadium in 1983), the Police were a featured creative person in the arena rock episode of the 2007 BBC/VH1 series Seven Ages of Rock on with Queen, Light-emitting diode Graf Zeppelin, U2 and Bruce Springsteen.[96] Despite the band's well-documented disagreements with one another, Summers confirmed in 2015 that Sting, Copeland and he are good friends. Summers said, "Despite the general press thing about 'God, they hate each other', information technology's actually not true, we're real supportive of one other."[97]

Discography

  • Outlandos d'Intimacy (1978)
  • Reggatta Delaware Blanc (1979)
  • Zenyatta Mondatta (1980)
  • Ghost in the Simple machine (1981)
  • Synchronicity (1983)

Concert Tours

  • The Police Around the Ma Duty tou (1977–1980)
  • Zenyatta Mondatta Turn (1980–1981)
  • Haunt in the Machine Tour (1981–1982)
  • Synchronicity Tour (1983–1984)
  • The Police Reunion Tour (2007–2008)

Band members

  • Stewart Copeland – drums, rhythm section, backing and head vocals, keyboards, guitars (1977–1986, 2003, 2007–2008)
  • Sting – run along and backing vocals, bass guitar, double bass, keyboards, sax, harmonica (1977–1986, 2003, 2007–2008)
  • Andy Summers – guitars, backing and lead vocals, keyboards (1977–1986, 2003, 2007–2008)
  • Henry Padovani – guitar (1977; 2007 reunion tour finale, Paris with Sting, Summers, and Copeland)

Awards and nominations

Brit Awards

  • 1982: High-grade British Mathematical group
  • 1985: Outstanding Contribution to Music

Grammy Awards

Tone: "All Breath You Aim" won Birdcall of the Class in 1984, but in this class the grant goes to the composer(s) of the song, not to the performer(s). The vocal was written and self-possessed aside Sting, the Patrol's vocalist.

Juno Awards

Masses's Choice Awards

Rock Hall of Renown

  • The Police were inducted into the Rock Hall of Fame connected 10 March 2003.[100]

Other lists

  • Ranked No.70 on Rolling Stone 's Immortals, the 100 Greatest Artists of All Fourth dimension.[10]
  • Hierarchic No.40 happening VH1's List of 100 Greatest Artists of Altogether Time.[9]

Watch also

  • List of best-selling music artists
  • List of highest-grossing concert tours
  • List of va artists
  • List of reggae rock artists

References

Citations

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Sources

  • Copeland, Ian (1995). Wild Thing . Greater New York, NY: Simon & Schuster. ISBN0-684-81508-7.
  • Copeland, Stewart (2009). Unnaturalised Things Materialize: A Life with The Police, Polo and Pygmies . London, England: Harpist Collins. ISBN978-0-06-194196-2.
  • Marienberg, Evyatar (2019). "O My God: Religion in Sting's Archaean Lyrics". The Journal of Religion and Popular Culture. Interior Department:10.3138/jrpc.2017-0056.
  • Padovani, Henri (2010). Secret Police Man. Brighton, England: Write out Press Publishers. ISBN978-1-907172-83-0.
  • Twinge (2005). Broken Medicine. New York, Empire State: Dial. ISBN0-7432-3184-8.
  • Summers, Andy (2006). Same Cultivate Later: A Memoir. New York, Empire State: Thomas Dunne. ISBN0-312-35914-4.
  • Summers, Andy (2007). I'll Be Watching You: Inside The Police 1980–83. Cologne: Taschen. ISBN978-3-8228-1305-8.
  • Sutcliffe, Phil; Fielder, Hugh (1981). The Police: L'Historia Bandido. New York, NY: Proteus. ISBN978-0-906071-77-9.

External golf links

  • thepolice.com
  • thepolicetour.com
  • The Police at Curlie
  • The Police at AllMusic

I Saw a Movie Once Where Only the Police

Source: https://en.wikipedia.org/wiki/The_Police

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